Archive for category Body Paragraphs
Getting something better with less effort sounds like a dream – but that’s what we covered last week. Recap it now to revise how to grab the freedom you are given when writing essays and using that freedom to its full advantage.
So how did you go in the challenge? Did you notice examples of nuanced arguments made in real life? Or nuanced discussion points that you could’ve raised, but didn’t? I promised an example of how to use the nuanced argument strategy, so here it is. It’s an essay question that you might find in an English assignment.*
“Q: The main purpose of a film is to entertain the audience. To what extent do you agree or disagree with this statement?.”
- You can argue ‘yes, the main purpose of a film is to entertain the audience’ by using examples of humour, suspense etc.
- You can also argue ‘no, the purpose of a film is not to entertain -it’s to educate’. Or you could go as far as saying ‘the purpose of a film is to indoctrinate – or solely to make money’. Those are extreme positions, though – good luck arguing them.
A nuanced argument: elegant and sophisticated.
- one nuanced argument would be to define “entertain[ing] an audience” to include feelings of horror and pity, as well as happiness.
Tip: I thought of this idea by looking at the key word “entertain” and asking what that implies – and doesn’t imply – and what it could imply with a slight stretch of the imagination.
Another nuanced argument would be that through the emotional film techniques (entertainment) a higher purpose is achieved: conveying a deeper message about society, humans as individuals etc. [launch into an amazing thematic topic sentence here!]
Tip: this was triggered by looking at the keyword “purpose”.
It’s all about analysing the question really. Just do it in an open-minded, even quirky way.
NB: Nuanced arguments don’t have to be full paragraphs – they can be smaller points within paragraphs too, but I find they are often important enough and big enough to justify a full paragraph length of explanation.
I’m sure there are other ways you could approach that question, but it’s important to answer it in a way that’s unique to you. As long as it’s reasonable and you can back it up with evidence and express it well, of course. So let your uniqueness peep through the academic façade of your writing. Write on!
*based on a true assignment question. Some of the words may have been changed to protect the identity of the film mentioned, to comply with all relevant legislation, and to completely alter the meaning of the original question.
The paragraphing techniques that we’ve covered have been the basics – the foundations, the bare essentials. Now let’s put some power into your paragraphs – soup them up – so they don’t just survive, but thrive.
There’s one powerful technique that I use to ‘pimp paragraphs’. I like this technique because it looks good, allows you to express more of what you personally think, and makes the essay-writing task easier. It also gets you more marks.
You can get all that by using what I call ‘nuanced arguments’. (In case you noticed it on the diagram, the “x” doesn’t mark a spot where treasure is buried – then again, metaphorically…) .
So what is a nuanced argument?
We looked at how paragraphs can be based around concepts that agree or differ with a stance framed by the question. But different interpretations don’t necessarily have to be opposites; they can sometimes be due to re-defining a concept. That right there was an example of a nuanced argument! It’s going into more detail and explaining how something similar or linked is actually different. So before you can synthesise this into your essay, you have to analyse some differences.
What are the benefits of using “nuanced arguments”?
- Get more kudos (and therefore marks)
Markers generally like this sort of unique insight in an essay – it shows higher level thinking and is more engaging. Just make sure that you can back it up with evidence and it’s not straying outside of the question’s scope
- Be more creative, not a stuffy academic
So many more options are open to you when you aren’t simply arguing “yes/no” or “for/against” – even the “how strongly” dimension is still limited compared to nuanced arguments…
- Be more opinionated.
… which also means you can be more opinionated! (Some of you will really like that, I’m sure).
Nuanced arguments also make your job easier for many essays because you don’t have to fit the teacher’s thoughts into your own words, or struggle to come up with the ‘right answer”; you can write your own opinion, which you’ll know better and sooner than any other opinion. Best of all, markers prefer to read a fresh take on something (as long as it’s still well written and you back up the argument with evidence).
Don’t you want to take advantage of this technique? Here’s an idea: stay alert this week; see how many nuanced concepts you notice in real life – how many levels of precise interpretation you can identify. Once you start noticing them, you can pick them up everywhere. It’s great practice for essay writing and critical thinking in general. Also think about examples that you could use in an English essay. I’ll give you an example next week and we can compare notes, OK? All the best.
In my last post, we looked at a simple method of ordering paragraphs: sequentially like the way content appears in the text. Along with the advantages, chronological ordering comes with a downside: it’s tempting to recount what happened in the text, rather than analysing the way the text was constructed and the deeper messages it conveys. The last thing markers want is yet another summary of the plot. They have sparknotes for that – and they’ve probably taught it so many times they can spout it off in their sleep – backwards – and with their hands tied behind their backs. Use chronological ordering to tie your technical and thematic analysis together in a logical manner. It’s not an invitation to stop thinking.
However, chronological ordering is just one method that you can use. The following ‘family’ of methods is modelled on the ‘Spectrum Diagram’ above.
Essentially, all these methods structure your essay around concepts – usually themes and techniques in a Literature Essay.
Similarities and Differences
The spectrum diagram depicts the flow of the essay through the paragraphs. The spectrum itself represents the grounds of the debate, as set by the question. Opinions, individual concepts, arguments – and the different schools of thought that you discover in your research – can be placed on this spectrum.
Tip: to have a more convincing argument, look at alternative interpretations and arguments, as well as your own.
Structure your argument by balancing the different opinions and pieces of evidence. So some paragraphs may re-enforce each other (move in the same direction), while others may differ and take the reader back along the spectrum of opinion in the opposite direction. These paragraphs can be more persuasive, because the arguments are clearer; they form the very backbone of how the essay’s ordered. However, you have to very clearly communicate where the evidence is found in the text, since it’s not in chronological order. Also, remember to order the paragraphs with the end goal of being persuasive. Your paragraphs should link together in a meaningful journey, not just meander through some interesting but irrelevant concepts.
Ordering paragraphs to lead readers through stages of an argument is a more adaptable method than chronological ordering; every essay question will invite you to discuss concepts. You can mold the content more freely. However, it can take a little more thought to write using this method – but that can be a good thing. Done well, this can impress the marker and give you more persuasive power.
Perhaps it’s time to try a slightly more sophisticated paragraphing and ordering technique?
When is simple good?
Now we’ve covered ways you can decide what goes in each individual paragraph. This post will go over ways you can order the paragraphs. Knowing what makes a good order of paragraphs will also help you plan the essay in the first place.
Each mini-argument that becomes a paragraph should fit in with the rest of the mini-arguments. The main thing is that you’ve got to lead your reader through your arguments. Make it flow. If it’s a nice easy journey, they’re more likely to like you and your arguments.
There are ways of achieving this gentle persuasiveness. Here’s one strategy that I use.
This is when you write your first paragraph about the first part of the text, or the first part of a model, or the first historical development in your topic. You then write about the second part of the text etc. until you have finished analysing the text and sum up your argument in your conclusion. This is simple to do, so it is probably the best one to practice on. It is also usually clear for the reader and is particularly well-suited to character development and plot-driven questions. If you’re writing an English Literature essay, choosing a chronological ordering for your paragraphs may speed up your analysis as well, because you can simply go through the text in order. So besides being easy to write, chronologically ordered essays can be simple for the reader to understand too, if the question, text, and your overall argument serendipitously complement each other using this method.
To answer the question posed at the beginning of this post, simple chronological ordering of paragraphs is good where you want to write a solid essay quickly – like when you’re in an exam. However, what other ways of ordering paragraphs can you think of? And when is simple bad?
Individual paragraphs affect more than just the ‘mini-arguments’ in those paragraphs; they also affect the persuasiveness of the entire essay. This is because flow of the essay is based on how the paragraphs link, which is in turn driven by the conceptual basis on which they are built. So it’s important to outline paragraphs well – but what conceptual basis can you use to create paragraphs?
There are at least two methods you can use.
Thematic grouping designs paragraphs to show a range of themes. A drama’s themes of loyalty/sacrifice and greed/cruelty can be discussed based on examples, regardless of when the various examples of the themes appear in the text.
Technique-based grouping creates the paragraphs to emphasise your technical analysis. For example, you could structure your paragraphs around how a reader’s response changes as the poem progresses.
The method of ordering your paragraphs depends on what you want your essay to emphasize, so everything comes back to the essay question (as usual). If the question asks what attitudes towards nature a novel conveys, then a thematic basis of creating paragraphs would work well; if it’s about the techniques the poet has used to communicate the deeper message of the poem, then technique-based paragraphs might be best.
Use the thematic and technique-based concepts of how to design paragraphs in order to write clearer and more focused paragraphs. This style of paragraph design also makes it easier to link the paragraphs overall, which we’ll cover in a future post. Besides the two methods mentioned above, what other foundations could use to plan paragraphs?
Welcome back, generals.
Today’s briefing covers an important lesson: effectively deploying your regiments to get more marks. This clever trick not only helps you when you’re planning your paragraphs, but it also helps you adapt as you write (as long as you’re using a word processor).
Tip: combine similar and related ideas into single paragraphs; split paragraphs that are too large.
Too many students feel that they have to write paragraphs based around the way the concepts first came into their heads and then got scribbled in a margin to make a bullet-point plan. This is not the case. Don’t be restricted by your first thoughts. You have the freedom to experiment and change how they’re put together and expressed.
For example, say your essay is about marketing and you have a paragraph on one mini-argument. It’s about how using advertising is crucial in supporting a broader marketing strategy, say. If this has ended up as a huge paragraph, you have two options:
- Cut it back
- Split in two
You could consider splitting the advertising paragraph into one about advertising in traditional media and one about online advertising, perhaps. Splitting a humongous paragraph retains more information in your essay, but it also ensures that all of that information is easier to read. I suggest “cutting back” egregious paragraphs as much as possible first, though. Cull out the unnecessary words, thoughts, phrases – and even full sentences. Make your essay clearer by removing written clutter. If you streamline your big paragraph first, you may find that you don’t need to split it after all. However, even if you still split the monster paragraph later, you have higher quality content to split.
Conversely, if you had two small paragraphs on these topics, they will probably make a stronger case together – you may have to adjust your topic sentences, but once that’s done, the new ‘super’ paragraph will be all the more persuasive with it’s ‘extra’ pieces of evidence. Here’s an example of a paragraph with opening and closing topic sentences.
Combining and splitting paragraphs gives you more flexibility when you’re planning – and writing – your essay. It’s a useful strategy to employ if you want to unlock all the potential of your writing by structuring it in paragraphs that persuade your marker.
Now, go forth and “divide and conquer”.
Okay, so we’ve covered one of the reasons why paragraphs make your essay suck less: they let the reader absorb information before moving on to the next segment. Paragraphing stops them from dreading the rest of the essay.
Q: How do you decide where to split your writing into paragraphs?
A: You’re asking the wrong question.
Since the point of paragraphs is to make your points clearer, the real question is how can you use paragraphs to make your essay easier to understand? That’s the point (no pun intended) of paragraphs. This approach subtly reshapes the way you assign thoughts to paragraphs. Instead of creating a long rambling stream of consciousness with a few arbitrary paragraph breaks, you start to think strategically.
And you should think about paragraphs strategically. In our army analogy, “Paragraphs are regiments of troops. Each deployed regiment has a specific aim – they provide developed ‘mini-arguments’ and evidence to back up the overall thrust of the essay.” Body paragraphs should form a logical chain of reasoning throughout your essay. Plan the mini-arguments in note form to make sure they support the main argument that you make through the entire essay. Only then should you begin writing if you want to win the battle.
So good paragraphs make your reader hate you less. In addition, by giving your reader a break, they can also understand what you’re saying better. That’s got to be good for your marks.
So now you understand the “macro-level strategy” to prepare an essay (analysing the question and planning your essay’s overall argument). It’s time to move on to the next layer of detail: organising your answer into paragraphs.
A good analysis of the question + solid knowledge of the topic = opportunity to write unique and persuasive arguments.
However, these elements only give you the opportunity to write a compelling essay; you must express your ideas well. The first step for doing this is to form your paragraphs.
Paragraphs are the largest building blocks of your essay, and they have two important functions:
- they separate your overall essay into digestible pieces
- they make your points clearer as you build your argument
Imagine reading screeds and screeds of text running continuously for almost a whole page with no break. Not fun. No marker (or other normal human being) wants to face that. I suggest you avoid arousing unnecessary resentment.
Since this post is about conveying important ideas succinctly and giving your reader a break, I’m going to stop this post here.
I know I’m not perfect; I often need to be reminded of this too, but “be concise!”
So we know that preparation is important if you want your essays to win. We discussed how sitting an exam is a battle to win marks by persuading your marker. You’re the General – that’s your job.
So if you’re the General, what’s the essay? Your essay is your army. The war metaphor is one that I find useful because it provides an analogy for different levels of functionality within your essay. Here’s the extended metaphor (great for those of you studying English Literature):
- The whole essay is your army. If the essay is pointed in the right direction, answers the question, and the sub-parts work together well, then that is what will win the war for the marks.
- Paragraphs are regiments of troops. Each deployed regiment has a specific aim – they provide developed ‘mini-arguments’ and evidence to back up the overall thrust of the essay.
- Each word is a warrior and sentences are ranks of “word-troops”. There are different types of warriors, with different advantages and disadvantages. You want to use them in a combination that allows each to them to combine their strengths and minimise any weaknesses. We’ll go into diction, syntax, and other aspects of expression in future posts.
How do you organise your ideas to get the most marks out of them? We’ll go into more specific strategies at various levels in the army in future posts, but here’s one broad one to get you started:
Set your troops in formations based on concepts that you are discussing. Know what piece of “intellectual ground” the words and sentences have to hold – enable them to capture the key ideas and express them compellingly on paper. This clever manoeuvring and structuring will surpass the effectiveness of the individual words themselves.
There are different types of ideas/concepts/components that you should structure your essay around to get maximum marks, but for that you have to understand SEX (the sequel is here). To discover another simple trick that can dramatically improve your essays, go to “Cooking up the perfect essay”.
Now you’re thinking more like a General, you’ll be able to make the strategic decisions that earn more marks.
“Onwards and upwards!”